• She Puppet

  • Iterations

  • Last Days in a Lonely Place

Hollywood, Video Games, and the Avant-Garde

Often avant-garde filmmaking is seen as opposing mainstream cinema, but in tonight’s selection artists engage with Hollywood films from Sunset Blvd. to The Entity. Film images are multiplied, slowed down, splintered, and otherwise manipulated by filmmakers Gregg Biermann, Peter Tscherkassky, Matthias Müller, Jerry Tartaglia, Rebecca Baron, and Douglas Goodwin, bringing forward latent content, analyzing sexual politics, foregrounding materiality, or scrutinizing cinematic language. Likewise, Phil Solomon and Peggy Ahwesh rework footage culled from playing the apocalyptic video games Tomb Raider and Grand Theft Auto to create powerful reflections on identity and mortality.

Films in this Screening

Out There in the Dark

Gregg Biermann, United States, 2016

FILM DETAILS 
Print Info
  • B&W
  • Digital
  • 4 mins
source
  • Gregg Biermann

She Puppet

Peggy Ahwesh, United States, 2001

FILM DETAILS 
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  • Color
  • Digital
  • 15 mins
source
  • Video Data Bank

Passage a l'acte

Martin Arnold, Austria, 1993

FILM DETAILS 
Print Info
  • B&W
  • 16mm
  • 12 mins
source
  • Canyon Cinema

Home Stories

Matthias Müller, Germany, 1991

FILM DETAILS 
Print Info
  • Color
  • 16mm
  • 6 mins
source
  • Canyon Cinema

Remembrance

Jerry Tartaglia, United States, 1990

FILM DETAILS 
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  • B&W
  • Digital
  • 5 mins
source
  • The Film-Makers’ Cooperative

Last Days in a Lonely Place

Phil Solomon, United States, 2007

FILM DETAILS 
Print Info
  • B&W
  • Digital
  • 22 mins
source
  • Phil Solomon

Lossless #5

Rebecca Baron, Douglas Goodwin, United States, 2009

FILM DETAILS 
Print Info
  • B&W
  • Digital
  • 3 mins
source
  • Video Data Bank

Iterations

Gregg Biermann, United States, 2015

FILM DETAILS 
Print Info
  • Color
  • Digital
  • 5 mins
source
  • Gregg Biermann

Outer Space

Peter Tscherkassky, Austria, 1999

FILM DETAILS 
Print Info
  • B&W
  • 10 mins
  • Canyon Cinema