G. W. Pabst: Selected Films, 1925–38

December 7, 2024–February 28, 2025

A selection of the films G. W. Pabst is best known for, made during the Weimar Republic, plus two French productions from the 1930s. Featuring several restored films plus live piano accompaniment by Judith Rosenberg for all of the silent films.

Read full description
  • G. W. Pabst: Pandora’s Box, 1929

  • G. W. Pabst: Diary of a Lost Girl, 1929

  • G. W. Pabst: The Threepenny Opera, 1931

  • G. W. Pabst: Secrets of a Soul, 1926

  • G. W. Pabst: L'Atlantide, 1932

  • G. W. Pabst: The Joyless Street, 1925

  • Upcoming
    Films
  • Past
    Films
  • Past
    Events

Upcoming Films

  • Pandora’s Box

    G. W. Pabst
    Germany, 1929
    Sunday, January 19 1:30 PM
    Judith Rosenberg on Piano

    Daring and stylish, Pandora's Box is one of silent cinema’s great masterworks and a testament to Louise Brooks’s dazzling individuality as the showgirl Lulu.

    View Details
  • Diary of a Lost Girl

    G. W. Pabst
    Germany, 1929
    Friday, January 24 7:00 PM
    Judith Rosenberg on Piano

    Like much of G. W. Pabst’s best work, Diary of a Lost Girl was heavily cut by the censors. In the restored version, not only is the play of money and desire made explicit, but a comic spirit entirely missing from the censored versions emerges.

    View Details
  • Westfront 1918

    G. W. Pabst
    Germany, 1930
    Sunday, February 9 7:00 PM

    G. W. Pabst illustrates the harrowing ordeals of battle with unprecedented naturalism, as the soldiers are worn away in body and spirit by firefights, shelling, and the disillusion that greets them on the home front.

    View Details
  • The Threepenny Opera

    G. W. Pabst
    Germany, 1931
    Thursday, February 13 7:00 PM

    A classic adaptation of the Weimar-era theatrical sensation set in the impoverished back alleys of Victorian London with Kurt Weill’s irresistible score, The Threepenny Opera remains a benchmark of early sound cinema.

    View Details
  • Kameradschaft

    G. W. Pabst
    Germany, 1931
    Friday, February 21 4:30 PM

    A gripping disaster film and a stirring plea for international cooperation, Kameradschaft cemented G. W. Pabst’s status as one of the most morally engaged and formally dexterous filmmakers of his time.

    View Details
  • L’Atlantide

    G. W. Pabst
    Germany, France, 1932
    Sunday, February 23 4:00 PM

    Dominated by the statuesque presence of Brigitte Helm this “campy, exotic fantasy takes place in a décor of dazzling white buildings, studio sand, and artificial pools” (Bloomsbury Foreign Film Guide).

    View Details
  • The Shanghai Drama

    G. W. Pabst
    France, 1938
    Friday, February 28 4:30 PM

    G. W. Pabst left Germany only to be censored by the French, his film recut. But as Nora Sayre advised in the New York Times, “Ignore the muddles and savor the cast of characters.”

    View Details

Past Films

  • Secrets of a Soul

    G. W. Pabst
    Germany, 1926
    Saturday, December 7 6:30 PM
    Judith Rosenberg on Piano

    A fascinating early attempt to illustrate psychoanalysis on film. Written under the supervision of three students of Sigmund Freud, Secrets of a Soul is filled with strikingly beautiful images.

    View Details

  • The Love of Jeanne Ney

    G. W. Pabst
    Germany, 1927
    Thursday, December 12 7:00 PM
    Judith Rosenberg on Piano

    One of G. W. Pabst’s rarely seen triumphs of lyrical realism—“among the culminating works of silent cinema, a grand attempt to synthesize Soviet montage, Hollywood action-melodrama, and German mise-en-scène” (J. Hoberman, Village Voice).

    View Details

  • The Joyless Street

    G. W. Pabst
    Germany, 1925
    Friday, December 20 7:00 PM
    Judith Rosenberg on Piano

    The Joyless Street “is not only one of the most important films of the Weimar Republic, it is also one of the most spectacular censorship cases of the era” (Jan-Christopher Horak).

    View Details

  • The Devious Path

    G. W. Pabst
    Germany, 1928
    Sunday, December 22 4:30 PM
    Judith Rosenberg on Piano

    Notable for its complex portrait of a marriage and fluid camerawork, and as an index of G. W. Pabst’s ongoing interest in female psychology, this cool, understated film may be his most modern.

    View Details